Edward Segel and Lera Boroditsky found the influence of grammatical gender even outside the laboratory - in an encyclopedia of classical paintings. They looked at all the gendered depictions of naturally asexual concepts like love, justice, and time. They noticed that these asexual entities (., time) tended to be personified by masculine characters if the grammatical gender was masculine in the painter’s language (., French: ‘ le temps’), and vice versa for female characters (., German: ‘ die Zeit’). The depicted gender agreed with grammatical gender in 78% of the cases for painters whose mother tongue was ‘gendered’, like Italian, French and German. On top of that, this effect was consistent even when only looking at those concepts with different grammatical genders in the studied languages.