Antisocial essay

(14) Be aware, however, that there is an issue of supply and demand here. Demand comes from organizations and businesses keen to display racial propriety by employing IWSBs, especially in positions at the interface with the general public—corporate sales reps, TV news presenters, press officers for government agencies, etc.—with corresponding depletion in less visible positions. There is also strong private demand from middle- and upper-class whites for personal bonds with IWSBs, for reasons given in the previous paragraph and also (next paragraph) as status markers.

It has already been mentioned that part of the reason for the dystopian nature of Children of Men's society is down to the totalitarian government. The mise-en-scene pertaining to the apparatus of their rule reflects this. For example, the faceless, abusive black suited government officials which appear throughout the film are a common motif in dystopian fiction. Also the vehicles the Homeland Security forces use are intimidating and authoritarian. For example, the vehicle that Sid the immigration official drives is a black, heavily armoured 4x4. It is also kitted out with what appears to be a remote-controlled Gatling gun mounted on the roof which swivels to track Theo as he emerges from the derelict school. All the government vehicles also appear to be equipped with loud-speakers which their occupants use to shout at the civilian population. This serves to further highlight the level of state oppression. The most powerful themes of dystopian governmental oppression are evident in the mise-en-scene during the Bexhill processing sequence. The protagonists are forced aboard a Homeland Security bus and driven past a heavy military presence outside the camp's entrance. The camera angle changes to a first person perspective inside the bus looking out of one of the wire mesh covered windows. Somehow the view outside of two black Chinook helicopters flying in the opposite direction over a bleak moor manages to convey the sheer sense of hopelessness and futility of the protagonist's situation and appears at the same time uniquely dystopian in nature. The mise-en-scene in the following sequence is perhaps the most useful to analyze in order to identify dystopian themes. The bus stops at a check point and search lights pierce the darkness and illuminate the busses occupants. A soldier with a large dog on a chain boards the bus and drags people off more or less at random if he doesn't like the look of them. From the activity that is visible outside it is easy to deduce that anybody taken off the bus will be systematically stripped, beaten and shot. This scene seems to be constructed to be reminiscent of the way that Jews were treated upon entering similar camps in World War 2. A Nazi commandant would often stand at the entrance and Jews that he deemed that fit for labour would be sent off to the right whilst the once that weren't would be sent off to the left and summarily shot. The Homeland Security soldiers in this scene behave in a similar fashion. The guard departs from the bus with the final remark "You people fucking disgust me," uttered in such a way that there can be no doubt about their new status as beings that are less than human. A quote by Slavoj Zizek sums this scene up:

Glib and superficial charm;
Grandiose sense of self-worth;
Need for stimulation;
Pathological lying;
Conning and manipulativeness;
Lack of remorse or guilt;
Shallow affect;
Callousness and lack of empathy;
Parasitic lifestyle;
Poor behavioral controls;
Promiscuous sexual behavior;
Early behavior problems;
Lack of realistic, long-term goals;
Failure to accept responsibility for own actions;
Many short-term marital relationships;
Juvenile delinquency;
Revocation of conditional release;
Criminal versatility

Antisocial essay

antisocial essay


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